The Theatre Reviewer

Set in Caillte Lighthouse off the coast of Angus in the North Sea just after WW1, the story follows two keepers and their training of a third before things occur that question their loyalty, friendship and ultimately, their sanity. Amy Clayton’s direction is clear, concise, and confidently handled throughout. There is a strong sense of control over the piece, with each moment feeling considered and purposeful. Nothing lingers longer than it needs to, and the pacing, for the m

Ahead of My Uncle is Not Pablo Escobar, I caught up with Elizabeth Alvarado to talk about the themes at the heart of the production, the creative journey behind it, and what audiences can look forward to when the lights go up.   What first sparked the idea for My Uncle is Not Pablo Escobar? Conversations between Tommy, Valentina and myself about the issues the Latin American community face sparked ideas and inspiration for a show. We wanted to talk about these issues on stage

Ahead of Myra’s Story, I caught up with Amber Allen to talk about the themes at the heart of the production, the creative journey behind it, and what audiences can look forward to when the lights go up.   Myra’s Story is such a powerful and intimate piece. What drew you to bring this production back to the West End? Like you say, it’s such a powerful piece, and one that always packs a punch. It’s been 2 and a half years since the show was last in London (Sept-Oct 2023) and si