The Theatre Reviewer

Set inside what feels like a smoky New York studio, MILES.  brilliantly explores what it takes to create something truly great—and what it costs you along the way. Contemporary jazz musician Jay  wrestles with his creative demons and identity while the ghost of Miles Davis looms large over every chord and conversation. It’s part musical meditation, part time-hopping drama, and definitely big on atmosphere. 📸 Colin J Smith Oliver Kaderbhai’s direction is confident and assured

Alec Leamas is a worn-down British intelligence officer during the height of the Cold War who is preparing to leave a long career of espionage behind him, until spymaster George Smiley presents him with one final, very dangerous assignment. Leamas is then pulled back into a web of betrayal and manipulation. Sent undercover into East Germany, he must take on the new identity of a disgraced agent in order to ensnare an enemy operative. This mission becomes far more complex when

Woman in Mind is a play about a woman named Susan, who seems to be living a quiet, ordinary life until a minor accident in her garden fractures reality as she knows it. Upon awakening from a state of unconsciousness, Susan is stuck between two worlds. One is real, bleak, and emotionally distant; the other is idealised, filled with love, and entirely a figment of her imagination. As these realities begin to collide dangerously, Susan has a hard time discerning what is real and