top of page

Latest Posts:


Interview with Emanuele Aldrovandi
Some productions entertain, while others quietly invite us to reflect on the choices that shape our lives. Ten Ways to Die Happy does both, blending humour, audience participation and thought-provoking storytelling into an experience that is different every single performance. Ahead of bringing the show to this year's Edinburgh Fringe, I caught up with writer Emanuele Aldrovandi to discuss creating a production where every audience shapes the story, why the show is really abo


Interview with Melissa Firlit
Some films become more than just movies; they become treasured memories that stay with us for a lifetime. Dirty Dancer takes one of cinema's most beloved classics and transforms it into a joyous, laugh-out-loud theatrical celebration, proving that parody works best when it comes from a place of genuine affection. Ahead of bringing the show to this year's Edinburgh Fringe, I caught up with creator and performer Melissa Firlit to chat about revisiting Dirty Dancing, taking on e


Interview with John P McEneny & Rob Parker
Few figures in Hollywood history are as iconic, complex or fiercely uncompromising as Bette Davis. The Bloody Ballad of Bette Davis takes that extraordinary legacy and transforms it into something completely unexpected: a camp horror musical that explores fame, ageing, ambition and the sacrifices artists make in pursuit of their craft. Ahead of the show's Edinburgh Fringe premiere, I caught up with writer John P. McEneny and composer Rob Parker to discuss the inspiration behi
bottom of page