“Euthanasia has just been legalised for terminal mental illness. The nation is facing unprecedented economic uncertainty. And the Evans family are close to ruin. When desperation hits, they must consider where they’re investing their money and the strength of their assets. But will their plan cost them more than what they are trying to cut?” Under Anna Jane Reynolds’ direction, the production is good, clear and well-defined, making effective use of the intimate space. There a