Interview with Lucas Closs

Ahead of The Sequel, I caught up with Lucas Closs to talk about the themes at the heart of the production, the creative journey behind it, and what audiences can look forward to when the lights go up.

What was the initial spark that led you to write The Sequel?

I kept coming across places that had become museums of themselves, honouring their own depiction in a work of art. The setting of The Sequel is a cafe preserved as the novelist’s description of it, not only out of the need for tourism but to celebrate a shared story, in the play this is the story of Grace’s coming-of-age novel based on her life. I like how with these kinds of places there’s a gulf between the expectations set by the artist and their reality.

The play explores what happens when real people become characters in someone else’s story. What interested you about that idea?

I’m drawn to how we can make ourselves into characters. Grace (played by Nisha Emich) almost becomes a brand through her success- the play looks at the consequences on the real people whether they were included in her novel, like John (played by Jim Findley) or not, like Martha, the cafe-museum’s new manager (played by Julia Pilkington). I am interested in how when we profile, document and categorise ourselves, we can detach and see others as just characters in our story.

The story touches on the impact a writer’s work can have on the lives of others. Is this something you’ve thought about personally as a playwright?

Unlike Grace’s book, the play isn’t based on real events. The characters I write tend to be composites of various people- I often only recognise quite late on and must frantically remove details to disguise them.

The Sequel balances comedy with darker themes. How did you approach finding that tonal balance?

It is about what’s plausible. In real life, even the darkest moments usually have something silly about them. Usually, people can be contradictory or petty whatever the circumstances.

Grace is confronted with how her story shaped the lives of people around her. What fascinated you most about that dynamic?

The residents who received flattering portrayals in Grace’s book are actually the ones who are stuck. John, (Jim Findley), was the “inspiring mentor’ of her novel, and now he can’t move on, attached to that version of himself.

Your work has been described as contemplative comedy. What draws you to humour?

If you’re going to explore something bleak or complex, comedy feels like both the most grounded and enjoyable way to do so- whether for a writer or an audience member. Often the funniest things can be things we recognise in ourselves.

How does music contribute to the atmosphere?

Deniz Dortok provides a live score that gives you a sense of the cinema of how the characters see their lives. In addition, the music reminds the audience that what they’re seeing is “dramatised”, Grace’s version of the truth.

How does writing for the King’s Head differ from unconventional spaces?

I love sit-specific work. The sense you are in the room where this is taking place is powerful. In a way, the production at the King’s Head is site-specific too; I like the idea you are watching a play, the theatrical adaptation of Grace’s new novel. To have the resources and backing of the King’s Head theatre is an absolute privilege. I’m very grateful to the king’s head team for having faith in the script of an unknown playwright, as well as producer, Ella Carmen Dale, for leading the way!

What has it been like collaborating with director Imy Wyatt Corner?

It’s fantastic to work with Imy. Her faith in the concept and the script at an early stage has been integral, helping me stay focused on the central theme. Also, Angel Parker has been a wonderful dramaturg to discuss drafts with and to prevent me getting lost in my own world.

How have rehearsals developed the script?

It is such a joy to see how actors develop your characters with their craft and experience and provide a life and a depth that is beyond what you can put on the page.

The Sequel comes to Kings Head Theatre, London on Monday 20th April - Saturday 2nd May 2026. For more information visit: https://kingsheadtheatre.com/whats-on/the-sequel-5tbn