Just For One Day 🎤

If you’ve ever wanted to time-travel back to one of the most iconic music events in history with added choreography and Thatcher jokes, then Just For One Day is calling your name. Now playing at the Shaftesbury Theatre, this jukebox musical reimagines the legendary 1985 Live Aid concert with rock anthems, theatrical flair—and more denim than you can shake a tambourine at.

Directed by Luke Sheppard, the show has a solid groove—elegantly transitioning between the high-octane concert energy and intimate, emotional beats. That said, the decision to keep most of the cast seated at the back for large stretches felt a bit odd, almost like they were audience members themselves. It doesn’t ruin the experience, but it does feel unconventional.

Then there's the choreography by Ebony Molina, which is nothing short of brilliant. She strikes a perfect balance between big, explosive group numbers and subtle, refined movements—giving the show both grandeur and nuance.

The set design by Soutra Gilmour also impressed. I loved the understated black proscenium arch anchoring each scene and the tasteful extra lighting by the boxes. The back wall video screens were especially effective—used not only to set scenes but to integrate live camera feeds, creating a visceral, cinematic feel. And let's talk about that Live Aid sign drop in Act 2. What a moment. The anticipation was real, and when it finally descended, it delivered all the goosebumps and grandeur you’d hope for. The only misfire was the cloth backdrop for the Thatcher scenes—it seemed very small for that stage.

Video and projections by Andrzej Goulding stole the show visually. His seamless integration with the architecture—especially using the proscenium arch as a projection surface—created some truly breathtaking moments without ever feeling overdone.

Sound design by Gareth Owen was equally outstanding. It captured the pulse of a live concert—loud and immersive when it needed to be, yet crystal clear in every vocal line and emotional beat. You felt the music in your chest without missing a single lyric.

Lighting design by Howard Hudson brought the atmosphere in spades. From sweeping concert-style washes to intimate spotlights that grounded character moments, the lighting was always emotionally in sync with the story. It elevated everything—from full-band rock-outs to quiet solo ballads.

Costumes, crafted by Fay Fullerton, were a highlight too. A stylish blend of surrealism and authenticity kept the visuals grounded yet fun—you’ll spot leg warmers, big hair, and period flair aplenty. It’s a visual feast that knows how to laugh at itself, while still celebrating the era with love.

Musical supervision, arrangements, and orchestrations by Matthew Brind remain the undisputed MVP. These Live Aid classics are reinterpreted in ways that feel both fresh and faithful. It’s more than jukebox nostalgia—it’s theatre that drives emotional storytelling through music.

But the book, written by John O’Farrell, is where it hits a snag. While mostly engaging, the mother-daughter subplot involving Suzanne and Jemma often overshadows the core of Bob Geldof’s journey. It adds depth, sure—but honestly, letting Geldof drive the story alone and keeping the young couple as a supporting thread might've made for tighter storytelling. And also the first 30 minutes were very slow pacing wise and could have been tighter.

Performance-wise, Julie Atherton as Margaret Thatcher steals the spotlight every time she appears. Her playful, tongue-in-cheek turns—especially during Elton John's “I’m Still Standing”—are campy, joyous, and downright hilarious.

Eddie Mann stood in as Bob Geldof and everything from his walk to his swagger—though occasionally his vocals wobble under the pressure. Still, he brings genuine intensity and urgency to a demanding role.

And all the characters were insanely brilliant and the ensemble is uniformly strong—whether belting out hits or creating atmosphere, they bring this whirlwind story to life.

Just For One Day is an electric ride through one of music’s most meaningful nights. It’s visually captivating, musically exhilarating, and heart-warmingly nostalgic—even if its narrative occasionally wanders. With fantastic visuals, roaring music, and a cheeky sense of humour (thanks to Maggie T), this musical rocks in all the right ways.

Catch Just For One Day at the Shaftesbury Theatre, running until 10 January 2026. Don’t miss your chance to relive the magic—and support the Band Aid Trust while you’re at it.

🎟️ Get tickets here: https://theliveaidmusical.com/