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The Greatest Magic Show ⭐⭐⭐⭐

Writer: Jack Stevens
Jack Stevens
Aug 28
3 min read

“Returning to Edinburgh for its seventh magical year, this multi-award-winning family spectacular from Showmen Productions combines magic, comedy, circus skills and plenty of audience participation into a fast-paced hour designed to keep even the most easily distracted child completely engaged. And, judging by the reactions around me, it succeeds.”


There are children's shows that are perfectly pleasant ways to spend an hour, and then there are children's shows that remind you exactly why live theatre is so magical in the first place. The Greatest Magic Show falls rather happily into the latter category.


The direction is good and, more importantly for a family show, understands the need to keep things moving. The venue is a tricky space to work in. However, everything remains visible, and the action rarely sits still long enough for younger audience members to start wondering what is happening outside.

There is a real understanding of pacing here. The tricks are allowed to breathe when they need to, but the show never feels like it is waiting around for the next thing to happen.


Lighting is very good and does an excellent job of keeping the audience engaged. There are some lovely states throughout, with a good variety that helps each section feel fresh without becoming distracting. It adds considerably to the sense of occasion, making the magic feel bigger than the relatively intimate space might suggest.


Sound sits at a nice level, and I particularly enjoyed the song choices. They are recognisable enough for children to connect with immediately, while still fitting perfectly into the action. Nothing feels like music for music's sake; each choice contributes to the atmosphere and comedy.


The book is wonderful for its intended audience. It is engaging, funny and, crucially, understands children. The performers don't rush through the tricks just because another one is waiting. The magic is given enough time to land, while the overall pace remains brisk. There is also a lovely understanding that the comedy needs to work on multiple levels. The children get the big, silly moments while the adults have plenty to enjoy too.


And then there are the performances from Sam Hume, Justin Williams and Magnus Danger Magnus. Hume and Williams bounce off each other perfectly and have a wonderful chemistry. Their routines together are clearly incredibly well rehearsed, but never feel over-rehearsed.

They also get their own individual moments to shine, which is important. Neither performer disappears into the duo, and each presents a clear personality and style to the stage. Magnus Danger adds another brilliant layer as the Ringmaster, bringing plenty of energy, character and theatricality to the proceedings.


What makes the show particularly successful is how much it trusts its young audience. Children are invited into the magic rather than being expected to sit quietly and watch it happen. Volunteers become part of the action, and even when something inevitably doesn't go quite to plan, the performers turn it into part of the fun. The whole production has a lovely generosity.


The Greatest Magic Show is exactly what a family Fringe show should be: colourful, energetic, funny, accessible and genuinely magical. It never talks down to its audience, and while the younger members of the family are clearly the priority, there is enough wit and theatrical skill here to keep the grown-ups entertained too. It may not reinvent magic, but it doesn't need to. Sometimes you need to put a wand in a child's hand, make something disappear and watch a room full of people remember how wonderful it is to be surprised.


The Greatest Magic Show plays at Assembly George Square Gardens, Palais du Variete from 6–31st August at 11:45 am and has a run time of 60 minutes.


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